GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
In the footsteps of Honore Daumier
Cartoons: (L to R) Citizen Chicane and Songi
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
“FREEDOM and justice for all are infinitely more to be desired than pedestals for a few,” once said Honore Daumier, the legendary French cartoonist and caricaturist, in what is movingly reminiscent of Labour’s rallying cry, under Jeremy Corbyn, “for the many not the few.”
To illustrate what he meant, in 1831 Daumier “put” the king Louis-Philippe on a pedestal only to mercilessly ridicule him, to much popular acclaim.
The cartoon of the monarch, in the comic journal La Caricature, depicted him as the hideously gluttonous Gargantua, a household personage in France and protagonist of the 16th century satire by Francois Rabelais.
Similar stories
Peter Mitchell's photography reveals a poetic relationship with Leeds
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII