MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Film round-up: October 24, 2024
Colonial plunder goes home, chilly euthanasia, transsexual drug baron and venom’s end: The Star's critic MARIA DUARTE reviews Dahomey, The Room Next Door, Emilia Perez and Venom: The Last Dance
Mati Diop's Dahomey
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
Dahomey (PG)
Directed by Mati Diop
★★★
WINNER of the coveted Golden Bear award at this year’s Berlinale, Dahomey is an immersive and haunting work from co-writer director Mati Diop which explores the effects of colonisation, appropriation, self-determination and restitution.
It follows the return in November 2021 of 26 royal treasures from the Kingdom of Dahomey by the French government. They were among thousands of others plundered by French colonial troops in 1892.
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