MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Reel-world reminders
MARIA DUARTE samples some hard-hitting offerings at this year's 64th BFI London Film Festival
ROUSING: Steve McQueen's Mangrove
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
THIS year’s BFI London Film Festival has not been immune to the effects of the coronavirus, holding virtual screenings for the first time.
Blurring the line between cinema and television, its opening film Mangrove (pictured) is one of five original films in the Small Axe stable, created by award-winning director Steve McQueen for the BBC.
They are based on the real-life experiences of London’s West Indian community and Mangrove follows the true story of Frank Crichlow (a superlative Shaun Parkes), the owner of the Mangrove Restaurant in Notting Hill, who became the target of police harassment.
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