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Different but the same
GORDON PARSONS sees an imagined confrontation between Queen Elizabeth I and the jailed Mary Queen of Scots which reveals them as equally confined by personal and political traumas
Juliet Stevenson (centre)

Mary Stuart
Duke of York Theatre, London

WE ARE all prisoners of our own personalities and of history and no-one understood this better than Friedrich Schiller, widely regarded as Germany’s Shakespeare.

His epic historical drama Mary Stuart, transferred from the Almeida theatre to the West End, focuses on the tragic conflict between the Catholic Mary Queen of Scots and England’s Protestant Queen Elizabeth.

The complex family web of the Tudors left Mary with a valid claim to the English crown in the event of Elizabeth’s death and was consequently a rallying point for Catholic dissidents.

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