Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA

Mary Stuart
Duke of York Theatre, London
WE ARE all prisoners of our own personalities and of history and no-one understood this better than Friedrich Schiller, widely regarded as Germany’s Shakespeare.
His epic historical drama Mary Stuart, transferred from the Almeida theatre to the West End, focuses on the tragic conflict between the Catholic Mary Queen of Scots and England’s Protestant Queen Elizabeth.
The complex family web of the Tudors left Mary with a valid claim to the English crown in the event of Elizabeth’s death and was consequently a rallying point for Catholic dissidents.

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare

