Skip to main content
Tainted with a brush of the West’s disdain
The recently discovered collection of artworks at the Wismut mine from GDR period challenges ‘received wisdom’ about socialist art, writes JOHN GREEN
SUPERIOR: (L to R) Working day of a miner by Frank Ruddigkeit, 1986; Team Leader of Wismut by Dieter Beriech, 1966

THE Wismut mine (the Soviet-German Joint Stock Company Wismut) was set up in 1946 after the war to supply uranium for the Soviet nuclear programme. It became the world’s fourth largest producer of uranium between 1946 and 1990. It was located in Saxony, in the Soviet occupation zone of Germany which, from 1949 onwards, became the territory of the German Democratic Republic (GDR).

As one can imagine, working in this mine was dirty, dangerous and demanded heroic efforts from those who were prepared to work there, although the work was well remunerated. During GDR times, the mine became symbolic for selfless working-class endeavour.

With the launch of the ruling Socialist Unity Party’s new cultural programme The Bitterfeld Path in 1959, artists and writers were encouraged to spend time in factories and workplaces in order to establish a genuine rapport between themselves and workers and to help overcome the gulf between the world of manual labour and that of artistic creation.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
221
Film of the week / 1 May 2025
1 May 2025

JOHN GREEN recommends a German comedy that celebrates the old GDR values of solidarity, community and a society not dominated by consumerism

Mural depicting the symbol of the revolution - a soldier with a carnation in the barrel of his gun; People celebrating on top of a tank in Lisbon during the Carnation Revolution of April 25 1974 / Pics: IsmailKupeli/CC; Public domain
Books / 24 April 2025
24 April 2025

JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal

PULLING NO PUNCHES: Activists from the feminist campaign gro
Features / 17 April 2025
17 April 2025

Mountains of research show that hardcore material harms children, yet there are still no simple measures in place

(L to R) How many Aunties?, Back Hares Mount, Leeds, 1978; M
Photography / 14 April 2025
14 April 2025

Peter Mitchell's photography reveals a poetic relationship with Leeds

Similar stories
PREMONITION OF DISASTER: Anonymous photographer, Fallen Stat
Book Review / 18 March 2025
18 March 2025
NICK WRIGHT delicately unpicks the eloquent writings on art of an intellectual pessimist who wears his Marxism lightly
(L to R) Vincent van Gogh, Bedroom in Arles, 1889; Hew Locke
Culture / 30 December 2024
30 December 2024
From van Gogh to Sonia Boyce, from Hew Locke to Patrick Carpenter and... Pablo Picasso
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
Gabriele Münter, Portrait of Marianne von Werefkin, 1909; L
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany