Skip to main content
Regional secretary with the National Education Union
Paintings imbued with innate working class consciousness
CHRISTINE LINDEY recommends the work of Leon Kossoff who chose to depict life near his various homes or studios, in east and north London’s pre-gentrified, working-class districts of Spitafields, Kings Cross, Hackney’s Dalston Junction, Killburn and Willesden
(L to R) King’s Cross, March Afternoon 1998; Christ Church, Spitalfields, Early Summer 1992 [Copyright The Leon Kossoff Estate/courtesy Annely Juda Fine Art London]

Leon Kossoff: A Life in Painting
Annely Juda Fine Art, London


EVER the outsider Leon Kossoff (1926 - 2019) doggedly pursued his own truth, stubbornly refusing to divorce his work from observations of urban life throughout his long career.

Yet from the mid-1950s to the mid-1960s when he was establishing himself as a serious artist, the dominant aesthetic dismissed such subject matter as out-dated, rooted in the 19th century and now fit only for amateurs.

Abstract Expressionism was followed by dispassionate, flatly painted geometric abstraction and pop art’s slyly knowing figuration. It was not until the1980s that leading Western critical opinion once again hailed a return to realism. In fact, of course realism never died.

It is no coincidence that Kossoff chose to depict life near his various homes or studios, in east and north London’s pre-gentrified, working-class districts of Spitafields, Kings Cross, Hackney’s Dalston Junction, Kilburn and Willesden, in all of which first generation immigrants abounded.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
Gabriele Münter, Portrait of Marianne von Werefkin, 1909; L
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
(L-R) Joshua Reynolds’ Portrait of George, Prince of Wales
Exhibition review / 7 March 2024
7 March 2024
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
(L) Synchromy with F.B. - General of hot desire (1968-69); (
Exhibition Review / 22 November 2023
22 November 2023
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
Similar stories
DISTINGUISHED: Portrait of Hans Hess c1962 (photographer unk
Features / 20 June 2025
20 June 2025

NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend

CONFRONTING HOMOPHOBIA: (L) FCB Cadell, The Boxer, c.1924; (
Exhibition review / 21 March 2025
21 March 2025
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
(L) Ken Kiff, The Poet (Mayakovsky), 1977; (R) Open book and
Exhibition review / 8 October 2024
8 October 2024
JAN WOOLF revels in a painter of the poetic, whose freshness emulates that of the very young