GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
ASANTE GOLDWEIGHTS
Victoria and Albert (V&A), London
IN THE Metalware Gallery (Room 116) at the V&A a humble display of Asante Goldweights has acquired a significance far beyond the modest number of the items on display.
“It reflects the developing discussions in museums around decolonisation and the need for us to be open about the V&A’s history as both an expression and a driver of 19th-century imperialism,” writes V&A senior curator Angus Patterson in a companion piece.
This honesty needs to saluted as it marks a significant step in a process that would hopefully lead to a significant restitution of art treasures hoarded in British museums which are, more often than not, of great social, cultural and political significance to their original creators.
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN
NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend



