Skip to main content
The Morning Star Shop
MSPs warned systematic underfunding could close Scottish galleries
People look at ‘The Virgin and Child with Saints Louis and Margaret’ on display during a preview of the CC Land: The Wonder of Art exhibition in the refurbished Sainsbury Wing of the National Gallery in London

THE National Galleries of Scotland director-general has told MSPs that years of “systemic underfunding” mean that closures cannot be ruled out.

Anne Layden delivered her stark message to Holyrood’s culture committee eight months after the arts body warned that it could be “forced to make seismic changes, such as closing one of our buildings,” in the near future.

National Galleries of Scotland is responsible for over 120,000 works of art across several galleries, including the National, Portrait, Modern One and Modern Two.

Ms Layden told MSPs that her organisation continued to grapple with rising staffing costs and an “ageing estate,” with a maintenance backlog exceeding £20 million, up £2.5m since the first warning was issued in January.

“The last thing we would want to do would be to have any closures, but I honestly can’t rule that out, particularly without knowing what the budget would be for next year,” she said.

“We do have very valid concerns for ongoing years in terms of what we will be able to do.”

Arguing that National Galleries of Scotland had suffered from “systemic underfunding over many years,” she pointed out that, “like many cultural bodies, we are working in these amazing buildings, many that date from the 19th century,” that now present a catalogue of maintenance headaches “from gas boiler heating to needing electrical rewiring and repair.”

Ms Layden said: “There is a long list. We need about £4m a year in terms of tackling that backlog. Last year, we received £1.9m.”

Last year’s £1.75m budget boost from the Scottish government did little to make a dent in that challenge, she said, telling MSPs: “The cost of the 35-hour working week, National Insurance [and] pay awards effectively totalled £1.75m additional costs. So it’s gone.”

Despite “self-generated income and sponsorship and fundraising,” Ms Layden said financial constraints had made staging the kinds of major international exhibitions once associated with the galleries “very difficult to do.”

Urging the committee to back funding reform, the director-general called for multi-year settlements for “more security and certainty” and for National Galleries of Scotland to be granted the same borrowing powers afforded to its counterparts in England to deal with “unexpected occurrences.”

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
First Minister John Swinney addresses the workforce during a to visit Alexander Dennis in Larbert to meet staff and discuss the government's work with partners to secure the future of the company's manufacturing in Scotland, September 15, 2025
Transport / 15 September 2025
15 September 2025
Passengers onboard a Calmac ferry
Workers' Rights / 15 September 2025
15 September 2025
Injection bay areas in the Using Space at The Thistle drugs consumption room at the NHS Enhanced Drug Treatment Facility at Hunter Street Health Centre in Glasgow, January 9, 2025
Healthcare / 16 September 2025
16 September 2025
Firefighters from the Fire Brigades Union (FBU) take part in the Cuts Leave Scars rally outside the Scottish Parliament in Edinburgh, calling for an end to cuts imposed on the Scottish Fire and Rescue Service over the last 10 years, October 26, 2023
Public Services / 15 September 2025
15 September 2025
Similar stories
CONFRONTING HOMOPHOBIA: (L) FCB Cadell, The Boxer, c.1924; (
Exhibition review / 21 March 2025
21 March 2025
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
(L) Three Studies of Isabel Rawsthorne 1967; (R) Self-Portra
Exhibition review / 16 January 2025
16 January 2025
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture