STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Lithography from Leningrad: An Adventure in Soviet Art, Estorick Collection London
Vitality, modernity and humanity on show in small but beautifully formed exhibition
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
IN 1961 the London exhibition Lithographs by 27 Soviet Artists, curated by Eric Estorick, created something of a stir in the city, with the work on show debunking the prevailing stereotypes of Socialist Realism as the only art “permitted” in the USSR.
Ermolaev Girlfriends
That modest show returns in this free exhibition, which includes the work of 15 of those original artists, created mostly before the demise of the Soviet Union. It benefits from the size of the gallery — no bigger than a living room — in giving the work an unexpected homely context.
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