Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Letters from Latin America
Fiction by Mexican authors Juan Pablo Villalobos and Fernanda Melchor and by Dominican writer and singer-songwriter Rita Indiana
FORCE TO BE RECKONED WITH: Rita Indiana
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
READING the Mexican writer Juan Pablo Villalobos's latest book I Don't Expect Anyone To Believe Me (And Other Stories, £11.99) is like entering into a fantastical world so powerful and mesmerising that its almost impossible to leave it.
Masterly translated by Daniel Hahn and a well-deserved winner of the prestigious Herralde Prize, the novel is as witty and entertaining as it is thought-provoking. It involves the story of desperate immigrants, literature students and violent gangsters in contemporary Barcelona. But it’s much more than that.
Villalobos is highly successful in conveying a world where endemic corruption, organised crime, state violence, the dividing line between fiction and reality and the limits of humour in literature get crazier as the story progresses.
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