Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Letters from Latin America: Literature, poetry and politics
Women writers fearlessly tackle the brutal histories of Brazil and El Salvador, national identity and family conflict
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
CAROLYN FORCHE’S What You Have Heard Is True (Allen Lane, £25) is an electrifying memoir in which the acclaimed US poet tells how she became an activist in El Salvador during the late 1970s and early 1980s.
Forche’s was a trial by fire. She recounts how, as a 27- year-old poet and young teacher living in southern California, she became involved in El Salvador’s civil war through her contact with Leonel Gomez, nephew of Salvadorian poet Claribel Alegria.
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The Morning Star sorts the good eggs from the rotten scoundrels of the year
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