GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Letters From Latin America
Reviews of fiction by Mexican Brenda Navarro and Argentinean Claudia Pineiro and of poetry by Nicaraguan-Costa Rican Lester Gomez Medina
CAREFUL CRAFTSMAN: Nicaraguan-Costa Rican writer Lester Gomez Medina
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
EMPTY HOUSES (Daunt Books, £9.99), Mexican writer Brenda Navarro’s first novel, is the devastating story of a mother who loses her small child in a playground somewhere in Mexico and her relentless search to find him.
It is also the story of a working-class woman who has kidnapped the child in order to fulfil her maternal desires and, fittingly, the chapters begin with epigraphs from the work of Polish poet Wisława Szymborska that set the tone for what it is yet to come.
The narrative alternates between the harrowing stories of these two desperate woman as they try to make sense of motherhood, mental and physical abuse and trauma in a novel that questions maternal instincts in patriarchies and the place of women in modern society.
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