MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Lava, Bush Theatre London
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MORE of a poetic discourse than a play, Ronke Adekoluejo’s monologue, written by Benedict Lombe, follows a young woman’s often happy but sometimes fraught journey from her birthplace in the Congo to South Africa, Ireland and then England.
Lava begins as an entertaining tale with a generous helping of humour. Yet its end is visceral in its challenging conclusions.
The first half is loosely framed around Adekoluejo’s quest to gain a British passport. But when that theme draws to a somewhat tame, if amusing, conclusion the way is paved for a more intense and deliberately disjointed second half.
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