GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
Latest editorial
Latin American literature with Leo Boix
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Among the best fiction from Latin America this year, Dead Girls by Argentinean Selva Almada (Charco Press) deserves a special mention as being one of the most powerful and necessary. This is an incisive book that deals head-on with the tragedy of femicides in Latin American by recounting the killings of three teenage girls in the interior of Argentina in the 1980s.
The Book of Emma Reyes, by Colombian artist and writer Emma Reyes (Weidenfeld & Nicolson), is another highlight. An instant classic, the book includes 23 beautifully written letters by the author, who recounts the moving story of a Colombian girl trying to survive extreme poverty, violence, class prejudice and years of abuse in a exploitative and cruel Catholic convent.
Similar stories
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
LEO BOIX introduces a bold novel by Mapuche writer Daniela Catrileo, a raw memoir from Cuban-Russian author Anna Lidia Vega Serova, and powerful poetry by Mexican Juana Adcock