MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
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Geoffrey Clarke: Intuitionism, Pangolin London
Prints leave their mark on outstanding representations of the extraordinary in the ordinary
INTUITIVE: Two troughs and flat bar, 1964
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
PANGOLIN’S curating is exceptional and the decision to present the work of the sculptor Geoffrey Clarke predominantly through his prints is a gamble that pays off handsomely.
Contextualising Clarke’s work from the 1950s to the 1990s, it’s an inspired selection that demonstrates his formal and thematic concerns over decades.
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