MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray

Summer in the City
Upstairs at the Gatehouse
OVATION’S Christmas show is a jukebox musical in which the tunes burst out of the jukebox and threaten to throttle the story. But that’s no great pity as the plot is only a device to showcase the songs of the ’60s. And what wonderful songs they are, full of vitality and heartfelt emotion, throbbing with joy.
Audiences of a mellow age are time-warped back to those heady days to wallow in hazy memories of rock and pop and groovy mayhem while younger people will find out just what they have missed.
Set in a cafe in Carnaby Street Soho, (which I assume is modelled on the 2i’s coffee bar which spawned rock’n’roll in this country), whose owner Hetty (Helen Goldwyn) a wise, Jewish mother hen type employs as coffee boy Sam (Connor Arnold), a square-jawed American who’s a dead ringer for Superman and delivers the coffee with oodles of entrepreneurial pizzazz and go-getterism.

MICHAEL STEWART applauds a fun send-up of the substandard Agatha Christie whodunnit

![SISTERS IN HARMONY The Company of The ministry Of Lesbian Affairs [Pic Mark Senior]]( https://dev.morningstaronline.co.uk/sites/default/files/styles/low_resolution/public/2025-07/The%20Company%20of%20The%20ministry%20Of%20Lesbian%20Affairs.jpg.webp?itok=GfuQa5O9)
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women

MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life
