MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion

JAMES McAVOY teams up once again with director Jamie Lloyd for another star vehicle in Edmond Rostand’s universally loved story about Cyrano de Bergerac, the man who is brilliant with language and the imagination but, in the real world, disfigured by a monstrous nose.
Cyrano loves Roxane to distraction but he is forced to watch her fall for traditional good-looker, Christian. While she is thrilled by poetry and romantic expression and craves exquisite love letters, Christian is useless with words and out of his depth.
So Cyrano steps in and writes a barrage of letters, purportedly from Christian, but actually issuing from the depths of his own crazed passion. Which one does Roxane truly love — the good-looker or the man who shares his heart and soul with her through language? It's a universal predicament.

MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards

MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere

MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay