Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Cyrano de Bergerac, The Playhouse London
Star vehicle with James McAvoy at the helm destined for box-office bonanza
CHARISMATIC: James McAvoy
[Marc Brenner]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
JAMES McAVOY teams up once again with director Jamie Lloyd for another star vehicle in Edmond Rostand’s universally loved story about Cyrano de Bergerac, the man who is brilliant with language and the imagination but, in the real world, disfigured by a monstrous nose.
Cyrano loves Roxane to distraction but he is forced to watch her fall for traditional good-looker, Christian. While she is thrilled by poetry and romantic expression and craves exquisite love letters, Christian is useless with words and out of his depth.
So Cyrano steps in and writes a barrage of letters, purportedly from Christian, but actually issuing from the depths of his own crazed passion. Which one does Roxane truly love — the good-looker or the man who shares his heart and soul with her through language? It's a universal predicament.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal
MARY CONWAY recommends a beautifully judged performance that shines a light on the experience of all female war babies and boomers