STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Crime fiction
Latest chillers from Lara Thompson, Andreina Cordani, Mari Hannah and Jane Harper
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
LARA THOMPSON’S One Night, New York (Virago, £14.99) begins on a winter night in 1932. Two women wait at the top of the Empire State Building to see whether their plan to take an awful revenge on a powerful man, guilty of unforgivable crimes against them, will work.
And they’re waiting, too, to see whether either of them will be able to bring themselves to carry it out.
From the Dust Bowl of the Great Depression to a New York changing forever as the tenement-dwellers are forced to make way for the skyscrapers, this is an elegantly written debut.
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