MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
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A convoluted ‘shaggy dog story’
A book that will be relished by those who can’t wait for another socialist nightmare story, suggests JOHN GREEN
TORTURE BY POETRY’: GROMA Kolibri typewriter, Made in East Germany, c1956
[Pic: Sommeregger and Stasi logo jgaray both Creative Commons]
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
The Stasi Poetry Circle: The Creative Writing Class that Tried to Win the Cold War
By Philip Oltermann
Faber & Faber £14.99
PHILIP OLTERMANN is the Guardian’s German correspondent and is clearly keen to jump aboard the gravy train of Stasi horror stories. In discussing this latest “Stasi revelation” book, it is difficult to know where to start in terms of trying to discover factual nuggets buried beneath the huge slagheap of fabulation.
In researching his book, Oltermann takes the easy seam, already well mined by his forerunners. He plunders the “Stasi Archives” to investigate the story behind a poetry circle set up by members of the GDR’s Ministry of State Security (MfS) or, in Western jargon, “the Stasi.”
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