To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Watching Rosie
Original Theatre Online
SHORT plays are catching on at a time when brief snippets of other people’s lives add colour and vigour to enforced domesticity and Watching Rosie — a miniature close-up of life in lockdown — is a little gem.
Written by Louise Coulthard and benefiting from a star cast, it’s a gentle, touching conversation between Rosie and her dementia-prone Gran. While the former is anxious and strained, Gran is coping, in a bemused sort of way, with an enforced lockdown imposed on her by a government who see her as a prime Covid risk.
Only when the doorbell rings and Gran leaps to the door for company, is there a sense of her desperate aloneness, otherwise masked by disconnected chit-chat interspersed with startling moments when her grasp on reality takes a sudden nose-dive.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy


