MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion

EVEN before lockdown, NT Live was bringing great theatre to a significantly wider audience than previously possible and now its free streamings offer more of the same, among them Inua Ellams’s Barber Shop Chronicles.
The barber’s shop, we're told, is “where men come to be men” and this play is a chance to bask in an exclusively masculine world — a novel and refreshing setting at a time when the cause of women is the more common concern.
Heart-warming, affectionate, amusing and life affirming, the characters are all African, or at least of that extraction. In a continent as huge as Africa, those lineages are as diverse and nuanced as it is possible to imagine — among them here Nigerian, Zimbabwean, Cameroonian and Ghanaian — while some are Jamaican and others embrace Britishness.

MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity

MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards

MARY CONWAY applauds the study of a dysfunctional family set in an Ireland that could be anywhere

MARY CONWAY relishes two matchless performers and a masterclass in tightly focused wordplay