Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Aussie brand of punk rock not to be sniffed at
Political, personal, punchy and right in your face
[Mik Sabiers]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Amyl and the Sniffers
Brixton Academy, London
POLITICAL, personal, punchy and right in your face, Australia’s Amyl and the Sniffers are fresh out of a coast to coast tour of the US and embarking on the European leg as they promote their own Aussie brand of punk rock, and latest album Comfort To Me.
Opening with No More Tears, the music harks back to ’70s punk/pub rock; it’s simple riffs with shouty lyrics over the top, but it works.
And the reason is lead singer Amy Taylor. She’s wrapped in the music, focused on her vocals, and her stage presence is commanding.
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