Mask-off outbursts by Maga insiders and most strikingly, the destruction and reconstruction of the presidential seat, with a huge new $300m ballroom, means Trump isn’t planning to leave the White House when his term ends, writes LINDA PENTZ GUNTER
Latest editorial
Beyond Adolescence: the dangerous misinterpretations of Netflix’s most controversial drama
The series unveils uncomfortable truths about youth alienation and online radicalisation — but the real crisis lies in austerity and the absence of class consciousness in addressing young people’s disillusionment, says teacher ROBERT POOLE
ELITE ENDORSEMENT: Keir Starmer hosts Adolescence writer Jack Thorne (right) at 10 Downing Street, for a ‘safety meeting’ inspired by the fictional TV series
BEN CHACKO speaks with Knesset member OFER CASSIF about rising political violence, the prospects for peace and his continuous ‘silencing by suspension’
The City is leaning on Rachel Reeves to cut welfare spending — when what’s needed is cuts to all the benefits given to the mega rich, corporations and banks to help them not pay or blatantly dodge their fair share of tax, explains BERNIE EVANS
The choice between two Blairites to revamp the tepid centrism of our ruling party doesn’t even come as cold comfort as we wander the city streets suffering from their third decade of austerity and the fifth of wage stagnation, writes MATT KERR
ANN HENDERSON looks at the trailblazers of the Women’s Trade Union League and their successful fight for female factory inspectors — a battle that echoes in today’s workplace campaigns
HENRY FOWLER puts the strike of public-sector workers in New Zealand in the wider context of deteriorating employment conditions throughout the world’s major economies
MAT COWARD looks back at a protest 105 years ago this month, whose reporting by the media bears uncomfortable similarities with demos today
LIKE most of the country, I have been enthralled by the Netflix limited series Adolescence. It is a great piece of drama, with fantastic acting — especially from some of the younger cast — and Stephen Graham shows that he is one of the finest working-class actors of our time. The claustrophobic shooting style — one single continuous, real-time shot per episode — is fascinating to watch and makes for an intense viewing experience.
It also leaves us constantly wanting to know more about what is happening off-screen and leaves us with more questions than answers by the end of the series.
But beneath the artistic excellence lies a dangerous narrative that’s been seized upon by those with political agendas, and it’s crucial we understand what’s really happening with our young people before we draw the wrong conclusions.
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