To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
FOR the London theatre scene, 2023 began with trepidation. The Arts Council had recently withdrawn funding from some of its most iconic theatres, and ticket prices — already prohibitively high for a population still recovering from the pandemic and facing a deepening cost-of-living crisis — looked set to soar.
It is not for nothing, though, that London is feted as the theatre capital of the world, having this year played to packed houses across a staggering range of venues large and small.
One big hit of the year has been James Graham’s Dear England, first at the Olivier, now at the Prince Edward. Starring Joseph Fiennes as England football manager Gareth Southgate and directed by Rupert Goold, the play captures the full beating heart of a country struggling to re-establish its identity and prowess. It’s a joy and pulls in whole new audiences.
Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
Across the country readers are rallying to the People’s Paper’s cause. Star campaigns manager CALVIN TUCKER has some handy ideas on how to get involved
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


