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Best of 2018: Crime fiction
by MAT COWARD
Idyllic crime scene: Bath is the setting of the thriller Memento Mori
[Diliff/Creative Commons]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
PIC CAP Idyllic crime scene: Bath is the setting of the thriller Memento Mori Pic: Diliff/Wikicommons
FAR from the first but, in my view, easily the best of the various detective series set during the Roman Empire reaches its eighth instalment with Memento Mori by Ruth Downie (CreateSpace).
Downie's investigators, as ever, are former army doctor Ruso and his native British wife Tilla, who loves her husband rather more than she does his strange, cold people with their rigid ideas and endless laws.
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MAT COWARD picks the jewels, new and old, from the endless crime scenes of fiction