Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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‘There is such a thing as ineradicable homosexuality’, Harry Whyte, letter to Stalin, 1934
MATTHEW HAWKINS treads warily through the symphonic history of a subject that our present understanding can only obscure
Detail from The Last Judgement, Michelangelo, 1541, from the upper righthand corner showing male couples embracing as they ascend to heaven
[Public Domain]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Forbidden Desire in Early Modern Europe, 1400 - 1750
Noel Malcolm
OUP, £25
THE lauded historian Noel Malcolm begins Forbidden Desire in Early Modern Europe by relating an account of how, in 1558, in the household of the Venetian embassy in Istanbul, two young male pages were repeatedly seen flirting and kissing. Other downstairs workers didn’t actually seem to mind, and some were diverted and amused. Those in charge were concerned enough to document and suppress the blandishment, as they didn’t want the household to be seen as resembling local Muslim equivalents, where convention condoned acts of sodomy – or was this just a smear?
Disquisition follows on a grand symphonic scale and the reader is launched into myriad calibrated thoughts. Why are men so strange? Where does recreation end and denigration begin? Is it illuminating or alienating to peer at carnality through a prism of historical and cultural shifts?
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