Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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‘So familiar and yet so unfathomable’
If 17th-century Dutch art is your thing this must be your book, believes MICHAL BONCZA
ENIGMATIC: Carel Fabritius’ View of Delft, with a Musical Instrument Seller’s Stall
[Kotomi_/CC]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Thunderclap: A memoir of Art and Life and Sudden Death
by Laura Cummings
Chatto and Windus £12.99
THE thunderclap of the title was a gunpowder explosion on October 12 1654, which devastated the city of Delft killing over a hundred and leaving thousands injured. Among the dead was Carel Fabritius, Rembrandt van Rijn’s most promising apprentice.
Fabritius holds a special fascination for Laura Cummings as does his View of Delft, with a Musical Instrument Seller’s Stall, painted two years before his death (at the National Gallery, London): “for pictures can shore you up, remind you of who you are and what you stand for.”
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