STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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‘This is as balanced a story as you can find’
Playwright ISMAEL KHALIDI talks to Joe Gill about how his theatre adaptation of the famous Palestinian novella Returning to Haifa was axed in New York, then found a home in London
Returning to Haifa
[Scott Rylander]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
BEFORE his assassination in Beirut in 1972 by the Israeli secret service Mossad, Ghassan Kanafani was one of the greatest Palestinian writers and political activists of his generation. His novella Returning to Haifa was highly influential in the aftermath of the 1967 war, when Israel seized east Jerusalem and the West Bank, which it holds to this day.
Ismael Khalidi
Kanafani got the inspiration for the book when his cousin and her husband crossed into Palestine after the June war in 1967. There they were told stories about how during the zionist attacks on Palestinian cities and villages, many families forced to leave their homes got separated during the Nakbah (“catastrophe”) in 1948 during a war in which 700,000 fled or were expelled from their homes.
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