RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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Brassy brilliance from Braxton
Anthony Braxton
[Michael Hoefner]
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
Anthony Braxton's Zim Septet
Cafe Oto, London
OUT of his breath comes such complexity and profundity of three-quarters of a century of musical sound, whether on alto sax, sopranino or contra bass clarinet.
This is Chicago-born Anthony Braxton who, after his military service, became part of the Association of the Advancement of Creative Musicians.
He made his recording debut in 1966 and has never stopped innovating ever since, even writing his musical titles as diagrams and notations as squiggling shapes.
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