WILL STONE fact-checks the colourful life of Ozzy Osbourne

HAVING started late as a fiction writer, I was apprehensive when Ra Page of Comma Press commissioned a historical story from me for their recently published Protest anthology. Early last year, I had no experience outside the comfort zone of science fiction, but I was intrigued and began researching Luddism and the Pentrich Rising.
On the wall of my study is a framed certificate, signed by Sir Ian Kinloch MacGregor. It celebrates, in an adjectival avalanche, my late father’s service to the National Coal Board. I’ve kept it as a cultural memento mori.
MacGregor, described by Arthur Scargill as “the American butcher of British industry,” went on to dismantle the British mining industry. At the end of the 1984-5 miners’ strike, a confluence of economic, political and technological forces obliterated a way of life experienced by several generations of my family. Nottinghamshire pit villages such as Clipstone, Bilsthorpe and Forest Town have never quite recovered.

ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer

ANDY HEDGECOCK admires a critique of the penetration of our lives by digital media, but is disappointed that the underlying cause is avoided

