MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
Latest editorial
Flaws undermine case for the defence
MAYER WAKEFIELD witnesses a powerful Isis courtroom drama marred by stereotyped characterisations
[Pete le May] 
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
New releases from Paul Weller, Wet Leg, and Dino Saluzzi
PAUL DONOVAN relishes the spectacle of a 1950s detective in pursuit of a 500-year-old murder mystery
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
Faceless
Park Theatre, London
“AMERICA wants blood,” proclaims Federal Prosecutor Scott Bader in Faceless. The blood it's after is that of the supposedly studious Susie Glenn who's been seduced into travelling to Syria to join Isis by her virtual boyfriend.
“How 2015,” I hear you say, and it's true that it seems a long time ago that Isis teenage recruits were dominating the headlines. Luckily, Selina Fillinger's debut play has enough depth to keep it on track in 2018, but it’s not without some major flaws.
Largely a courtroom drama, the five-hander is undoubtedly at its best when it's on legal terrain. The relationship between the slippery misogynist Bader (Matt Mella) and his chosen “face of the prosecution” Claire Fathi (Paige Round, pictured) entices. Harvard-educated, hijab-wearing and of French-Iranian heritage, Fathi is razor-sharp and easily the most well-rounded character in the show.
More from this author
MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
![SISTERS IN HARMONY The Company of The ministry Of Lesbian Affairs [Pic Mark Senior]](https://dev.morningstaronline.co.uk/sites/default/files/styles/desktop/public/2025-07/The%20Company%20of%20The%20ministry%20Of%20Lesbian%20Affairs.jpg.webp?itok=47hfE2GG)
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
MAYER WAKEFIELD laments the lack of audience interaction and social diversity in a musical drama set on London’s Underground
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
