As tens of thousands return to the streets for the first national Palestine march of 2026, this movement refuses to be sidelined or silenced, says PETER LEARY
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Creatively brilliant and co-operatively joyous sounds
If the government really wanted to address public finances, improve living standards and begin economic recovery, it would increase its borrowing for investment, argues MICHAEL BURKE
MATT KERR takes a winter journey through poetry, labour and memory, from Glasgow to Newcastle, arguing that our radical past isn’t something to revere from a distance, but a tool still meant to be used
One of Canada’s most revered politicians is a native of Falkirk but is relatively unknown in his original homeland. KENNY MacASKILL tells his story
Labour prospects in May elections may be irrevocably damaged by Birmingham Council’s costly refusal to settle the year-long dispute, warns STEVE WRIGHT
HENRY FOWLER and ROB POOLE explain the significance of today’s Megapicket
John Edwards and Mark Sanders
Nisus Duets (Emanem 4094)
John Butcher and John Edwards
Optic (Emanem 4039)
John Edwards
Volume (psi 08.09)
STRANGE how a boyhood encounter with a two-stringed ukulele could have sparked the formation of one of Britain’s finest improvising bassists.
John Edwards was born in Hounslow, west London, in 1964. His elder brother played drums in a punk band and John would add to the rhythm on the front room chair arms.
When he picked up the ukulele, he made bass lines by plucking its two strings as if it were a bass guitar.
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