Alvaro Uribe is found guilty of witness tampering and procedural fraud, reports NICK MACWILLIAM
Creatively brilliant and co-operatively joyous sounds
On the anniversary of the implementation of the 1833 Slavery Abolition Act, ROGER McKENZIE warns that the legacy of black enslavement still looms in the Caribbean and beyond
Starmer’s decision to recognise Palestine only as long as Israel continues to massacre its inhabitants has been met with outrage, writes LINDA PENTZ GUNTER
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
RAMZY BAROUD explains why the world can no longer ignore Palestine
Starmer’s decision to suspend Diane Abbott yet again demonstrates a determination to maintain and propagate a hierarchy of racism, writes CLAUDIA WEBBE
John Edwards and Mark Sanders
Nisus Duets (Emanem 4094)
John Butcher and John Edwards
Optic (Emanem 4039)
John Edwards
Volume (psi 08.09)
STRANGE how a boyhood encounter with a two-stringed ukulele could have sparked the formation of one of Britain’s finest improvising bassists.
John Edwards was born in Hounslow, west London, in 1964. His elder brother played drums in a punk band and John would add to the rhythm on the front room chair arms.
When he picked up the ukulele, he made bass lines by plucking its two strings as if it were a bass guitar.
More from this author
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
