RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
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A marvel of musical transmigration
[Ville .fi/Creative Commons]
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
ANDY HEDGECOCK revels in a hugely enjoyable but deadly serious examination of the 1930s, that is an indictment of our own era
The bard distills our hellish times into fiery words
Iro Haarla
Northbound
(ECM)
IRO HAARLA was born in 1956 in Tampere, Finland, 70 miles north of Helsinki. After school she studied classical piano and composition at Helsinki’s Sibelius Academy, where she also discovered an empathy with great jazz pianists like Thelonious Monk, Bill Evans and the Canadian Paul Bley.
She identified strongly with Bley’s “silence and dissonance.”
Haarla met the Finnish jazz drummer, later her husband, Edward Vesala, in 1978 and put aside her classical ambitions, joining his ensemble Sound and Fury as arranger and self-taught harpist, bringing a new architecture to his music.
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