STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Frozen response
A challenging play about a child killer leaves MARY CONWAY somewhat cold
Splendid: Suranne Jones and Nina Sosanya in Frozen
[Johan Persson]
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Frozen
Theatre Royal Haymarket, London
BRYONY LAVERY’S Frozen arrives at the Theatre Royal with a starry cast and a formidable track record after previous productions at Birmingham Rep, the National Theatre and on Broadway attracted award nominations.
But there's something about Lavery's story of a remorseless serial killer who commits the kind of crime that makes avengers of us all and sets mobs baying for blood that leaves me cold.
Centred on the rape and murder of a child, Frozen cuts through spontaneous revulsion with intelligent questions while seeming to exploit, rather than dissipate, the prurience of the world at large.
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