SOLOMON HUGHES recommends Sunjeev Sahota’s recent novel set in a trade union election campaign for its fresh approach to what unites and divides workers, but wishes the union backdrop was truer to life
A fiery musical talent from the Windy City
Chris Searle on Jazz
Morning Star international editor ROGER McKENZIE says Trump’s ceaseless belligerence is a desperate effort to prevent the emergence of a multilateral world
Don’t dismiss Lebanon as a side theatre of this war, warns SEVIM DAGDELEN — there are signs Israel has expansion in mind, and it has demonstrated its willingness to expel and kill whole populations
The media present Starmer as staying out of Trump’s war — but we’re already deeply involved in a conflict that sees the US and Israel kill civilians on a huge scale, argues IAN SINCLAIR
LINDA PENTZ GUNTER reports on this week’s conference unveiling the findings of the Gaza Tribunal established by Jeremy Corbyn
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
John Jenkins
Young Jenkins: 1957 Quintet Sessions
(Fresh Sound FSR CD931)
A STRANGE jazz life was that of the alto saxophonist John Jenkins. Born in Chicago in 1931 he went to Du Sable High School, which had an extraordinary music teacher called Captain Walter Dyett who tutored some of the most powerful saxophonists of the post-bop epoch, including Johnny Griffin, Sun Ra’s great tenor horn John Gilmore and Clifford Jordan.
Much influenced by the Charlie Parker sound and Parker’s disciples Jackie McLean and Sonny Still, Jenkins gigged for several years around Chicago before moving to New York in March 1957 where he very soon found himself playing in the Mingus band.
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