Scottish Labour's leaders cannot keep blaming Westminster for the collapse at the ballot box, says VINCE MILLS
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A fiery musical talent from the Windy City
Chris Searle on Jazz
Over 30 years since apartheid was abolished, nasty anti-migrant rhetoric sweeps the corporate media. The Commnunist Party is ready to fight back, says ROGER McKENZIE
Over 100,000 people are expected on Brussels’s streets today. Ben Chacko speaks to Belgian Workers Party’s PETER MERTENS on wage and pensions attacks that have united the fightback
FRED BAYER says the cuts to the congress cycle could be disastrous for the Scottish trade union movement
Berlin’s Soviet war memorials are becoming the latest front in a political struggle to ‘de-Sovietise’ German history. NICO POPP reports
Western Marxism is a particular version of Marxist theory developed in – and acceptable to – the capitalist nations of Europe and North America and largely divorced from political action, argues the MARX MEMORIAL LIBRARY
John Jenkins
Young Jenkins: 1957 Quintet Sessions
(Fresh Sound FSR CD931)
A STRANGE jazz life was that of the alto saxophonist John Jenkins. Born in Chicago in 1931 he went to Du Sable High School, which had an extraordinary music teacher called Captain Walter Dyett who tutored some of the most powerful saxophonists of the post-bop epoch, including Johnny Griffin, Sun Ra’s great tenor horn John Gilmore and Clifford Jordan.
Much influenced by the Charlie Parker sound and Parker’s disciples Jackie McLean and Sonny Still, Jenkins gigged for several years around Chicago before moving to New York in March 1957 where he very soon found himself playing in the Mingus band.
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