GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Film round-up: April 10, 2025
The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
Maiwene Barthelemy and Clément Faveau in Holy Cow
[IMDb]
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
Holy Cow (15)
Directed by Louise Courvoisier
★★★★
SHOT in France’s Jura region with non-professional actors, Louise Courvoisier’s debut feature is touching, elegiac and funny. A coming-of-age drama about friendship, integrity and post-industrial agriculture, it also reveals the agonies of making a wheel of Comté cheese.
A splendidly chaotic opening scene sets the tone. It features a cow sitting in a car, a man in a ragged vest lugging a beer barrel through a rural gala, and a drunken 18-year-old, Totone, performing a naked jig on a tabletop.
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The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End