MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long
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Throwing a curveball
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
Kelly Lee Owens
[Henry W Laurisch/CC] 
PAUL DONOVAN recommends three new books that explore the human relationship with nature
Doomed adolescents, when the missing person is you, classic whodunnit, and an anti-capitalist eco-thriller
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Kelly Lee Owens
Brighton Chalk
WELSH electronic artist Kelly Lee Owens used to be a nurse before pursuing music — a decision encouraged by her own patients, who recognised her talent. They were not wrong.
Since her 2017 eponymous debut album, she has become one of the most regarded and versatile female producers, collaborating with the likes of techno favourites Daniel Avery and Jon Hopkins, Velvet Underground founding member (and fellow Welsh native) John Cale, and Norwegian avant-garde artist Jenny Hval.
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