To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
An Italian in Madrid
Sadler’s Wells, London EC1
5/5
THIS world premiere of Richard Alston’s An Italian In Madrid, part of a quadruple bill, is a sublime hybrid of European classical and kathak dance from northern India.
Set to sonatas by the Italian composer Domenico Scarlatti, who was himself influenced by the “foreign” style of flamenco while resident in Andalucia, the unfolding narrative is a departure from Alston’s canon of abstract-expressive works.
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture


