To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Kaash
Sadler’s Wells, London EC1
4/5
KAASH — “if only” in Hindi — is a revival of Akram Khan’s dance piece created some 14 years ago with composer Nitin Sawhney and sculptor Anish Kapoor.
A marriage of contemporary dance and kathak, whose origins lie in the north India of antiquity, it’s a work inspired by “Hindu Gods, black holes, Indian time cycles, tablas, creation and destruction.”
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power
MAYER WAKEFIELD recommends a musical ‘love letter’ to black power activists of the 1970s
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation


