To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Dance review: Phoenix mark diversity card
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Phoenix Dance Theatre:
Triple Bill 2016
West Yorkshire Playhouse, Leeds
3/5
CELEBRATING its 35th anniversary, Phoenix Dance Theatre’s latest triple bill ably demonstrates the diversity and collaboration on which it’s built its reputation.
That’s strikingly expressed in the opening piece, 2010’s Melt by the company’s artistic director Sharon Watson.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
Two-hundred years ago, on September 27 1825, the world’s first passenger railway line was opened between Stockton and Darlington. MICK WHELAN, general secretary of Aslef, the train drivers’ union, reflects on the history – and the future – of Britain’s railway industry
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston