To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Albrecht Durer: Beyond
the Burden of Brilliance
Brantwood
5/5
IT’S the time of year when the museums roll out their blockbuster shows. Exhibitions that take years in the making, with intricately negotiated loans from around the world and catalogues that make good door stops, draw the crowds.
There’s Egypt’s Sunken Cities at The British Museum, Francis Bacon at The Tate Liverpool and this year’s most anticipated box-office triumph, Georgia O’Keefe at Tate Modern.
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


