To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Stirring songs of love, madness and obsession
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
Naomi Bedford and Paul Simmonds
Songs My Ruiner Gave To Me
(Dusty Willow)
NAOMI BEDFORD wrote and sang Orbital’s hit Funny Break while Paul Simmonds is one of The Men They Couldn’t Hang, both bands highly politicised and highly successful.
Now, as in private life, they’ve teamed up and what a combination they prove to be. They give the modern ballad an enviable depth in musical texture, as well as thoughtful lyrics with a distinct literary quality.
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