Labour’s persistent failure to address its electorate’s salient concerns is behind the protest vote, asserts DIANE ABBOTT
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Melodies and memories rendered into a most beautiful form
CHRIS SEARLE on Jazz
Jazz pianist Stanely Cowell
[Tom Marcello/Creative Commons]
Washington’s lawless behaviour towards countries in the region it considers its ‘back yard’ should be condemned by all law-abiding people, says LUKE DANIELS
In part I of a serialisation of his new book, JOHN McINALLY takes a look at the early days of organising government workers
Colombia’s success in controlling the drug trade should be recognised and its sovereignty respected, argues Dr GLORY SAAVEDRA
The shadow lord chancellor has recently made a name for himself as an rabid hater of immigration – but there are exceptions to every rule, says SOLOMON HUGHES
Plaid Cymru’s front-bench spokesman on health and social services MABON AP GWYNFOR, in a two-part series, analyses the Caerphilly by-election and the wider political scene in Wales ahead of the 2026 Senedd election
Stanley Cowell
Are You Real? (Steeplechase SCCD 31790)
No Illusions (Steeplechase SCCD 31828)
YOU can hear virtually the entire century of jazz glories in Stanley Cowell’s piano. His lifetime doesn’t quite stretch that far — only three-quarters of that history.
He was born in the city of Toledo, Ohio, in 1941 and met the greatest jazz pianist Art Tatum, a regular visitor to his parents’ house and player of their family piano, when he was six. But his years encompass an extraordinary richness of playing with, and being inspired by, some of the truly epic figures of the music.
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