SOLOMON HUGHES recommends Sunjeev Sahota’s recent novel set in a trade union election campaign for its fresh approach to what unites and divides workers, but wishes the union backdrop was truer to life
Creatively brilliant and co-operatively joyous sounds
Morning Star international editor ROGER McKENZIE says Trump’s ceaseless belligerence is a desperate effort to prevent the emergence of a multilateral world
Don’t dismiss Lebanon as a side theatre of this war, warns SEVIM DAGDELEN — there are signs Israel has expansion in mind, and it has demonstrated its willingness to expel and kill whole populations
The media present Starmer as staying out of Trump’s war — but we’re already deeply involved in a conflict that sees the US and Israel kill civilians on a huge scale, argues IAN SINCLAIR
LINDA PENTZ GUNTER reports on this week’s conference unveiling the findings of the Gaza Tribunal established by Jeremy Corbyn
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
John Edwards and Mark Sanders
Nisus Duets (Emanem 4094)
John Butcher and John Edwards
Optic (Emanem 4039)
John Edwards
Volume (psi 08.09)
STRANGE how a boyhood encounter with a two-stringed ukulele could have sparked the formation of one of Britain’s finest improvising bassists.
John Edwards was born in Hounslow, west London, in 1964. His elder brother played drums in a punk band and John would add to the rhythm on the front room chair arms.
When he picked up the ukulele, he made bass lines by plucking its two strings as if it were a bass guitar.
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