MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
Architecture: Monumental choices
MICHAL BONCZA reviews an exhibition exploring the function of memorials and how we respond to them
Smithsonian National Museum of African American History and Culture
[Brad Feinknopf] 
The Bard commutes to work for the first time in 45 years
GORDON PARSONS is riveted by a translation of Shakespeare’s tragedy into joyous comedy set in a southern black homestead
GEORGE FOGARTY relishes the music of black British artists that channels Carribbean, Latin and club sounds, along with contemporary west African radicalism
CHRIS SEARLE hears the ordeal of the Palestinian people in the improvised musicianship of a UK jazz trio
DAVID RENTON is puzzled by an ambitious attempt to look back on world culture from the future without engaging with or understanding it
David Adjaye: Making Memory
Design Museum
London W8
THE IDEOLOGICAL intent in “making memory” via memorials and monuments which relate particular architectural narratives demands nuanced consideration, quite aside from the mere aesthetics involved in housing such endeavours.
Where, for example, is the moral equivalence between the patriotic war memorials of Volgograd (formerly Stalingrad) and the Vietnam Veterans Memorial in Washington?
More from this author
MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray
Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny
