Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Ringgold the liberator
Faith Ringgold is one of the most important US artists ever. CHRISTINE LINDEY explains why
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Faith Ringgold
Serpentine Gallery, London
★★★★★
A VETERAN of the 1960s civil rights, feminist and Black Power movements, Faith Ringgold is a rare artist; she has much to say, all of it important and she expresses it in visually striking ways.
She was born in 1930 in Harlem where her fashion designer/maker mother and lorry driver father prioritised a college education and encouraged her love of art. Although her thorough but traditional art education never mentioned black artists, she’d grown up immersed in the culturally vibrant Harlem Renaissance.
Similar stories
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces
The Morning Star sorts the good eggs from the rotten scoundrels of the year
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs