To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Female comedians given particular prominence this year gloriously embrace the opportunity with side-splitting performances
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
OXFORD COMEDY FESTIVAL
Various venues
THE Oxford Comedy Festival, now in its second year, is a rare chance to see Edinburgh Fringe performances before they reach Scotland, before they have been fine-tuned and, in some cases, even before they are fully written.
Comprising over 50 shows across six venues, the festival is an organisational feat, and a real credit to its organisers, the QED Comedy Lab.
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MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy