A ‘new phase’ for Starmerism is fairly similar to the old phase – only worse. ANDREW MURRAY takes a look
DSEI is at last becoming seen as unacceptable
It’s important we keep up the pressure and expose the arms fair in London’s Docklands for what it is – a market in death, writes PAUL DONOVAN
Work on display at the Art the Arms Fair art exhibition, to oppose DSEI
Macron is seeking a centrist replacement for the pro-austerity French PM, while the emergence of the grassroots Bloquons Tout movement means for the left there’s a period of struggle ahead – and all to play for, writes BILL GREENSHIELDS
The Met Police arrested a staggering 890 people, many elderly, disabled, and even blind in a single demonstration — all to back up the government’s unhinged campaign against non-violent civil disobedience at the behest of Israel, writes CLAUDIA WEBBE
The people of Palestine need our solidarity in actions not words – trade unionists must give them our full support in their darkest hour, writes DANIEL KEBEDE
Investing the £75 billion slated for defence spending on a green new deal, healthcare and education would create jobs and help communities far more than weapons spending, argues UCU general secretary JO GRADY
BEN CHACKO reports on fears at TUC Congress that the provisions in the legislation are liable to be watered down even further
HAS anything changed with the DSEI arms exhibition over the past 20 years, aside from it getting bigger?
There has been much controversy surrounding the recent Defence and Security Equipment International (DSEI) arms fair at the ExCel centre in London.
Condemnation of the event has come from a number of quarters, including the mayor of London and faith leaders.
More from this author
PAUL DONOVAN recommends three new books that explore the human relationship with nature
PAUL DONOVAN recommends an excellent stage adaptation of Stephen King’s classic portrayal of the the injustice of the US prison system
Labour councillor PAUL DONOVAN wonders why the right-wing party gets so much more media attention than it seems to merit
PAUL DONOVAN relishes the spectacle of a 1950s detective in pursuit of a 500-year-old murder mystery
