MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
Latest editorial
Glastonbury 2020: a virtual line-up to end all virtual line-ups
The Glastonbury crowd in 2016
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
GLASTONBURY! What a year it’s been for the festival’s 50th anniversary year. All that mud, all that traipsing around, all those Pyramid headline extravaganzas, all those hippies in the Green Fields, all the weirdos in Shangri La — all on telly and online of course.
But thanks to the media frenzy around the festival it has been so well documented that the Eavises, and the organisers of almost every stage and area of the festival, have curated a virtual line-up to end all virtual line-ups.
For starters there’s a BBC Glastonbury channel featuring a mash-up of all the best headline sets, from Beyonce to Bowie, with the star man’s famous 2000 set broadcast in full for the first time.
More from this author
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
