GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
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A combination of dub reggae and spiritual jazz has been so seemingly under-explored
(L to R) Joe Armon-Jones, Nubia Garcia, Daniel Casimir, Sheila Maurice-Grey and Sam Jones
[Tom Howard/Barbican]
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
Nubya Garcia 5 stars
Barbican London
Nubya Garcia’s debut EP, Nubya’s 5ive, released in 2017, combined the tough breakbeats of London’s urban music scene with the dynamic sensibility of her jazz forebears, and established her place as one of her generation’s leading jazz musicians.
Three years on, and her much-anticipated debut album pushes this same combination into yet more accomplished and innovative territory. It is an album, she told the New York Times recently, focused on the themes of “personal power, collective power, collectivism,” and this is her first concert since its release.
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